Location: Melbourne, Victoria
Favourite Films: Network [1976], United 93 [2006], Memento [2000], Terminator 2: Judgement Day [1991], Kill Bill Volume 1 & 2 [2003-2004]
Favourite Genres: Crime, Action, Drama
Favourite Directors: Stanley Kubrick, Christopher Nolan, Sidney Lumet
Other Interests: TV, Travel, Australian Rules Football
Tom Clift conned his way into a gig at Movidex covering the 2011 Melbourne International Film Festival, and has been bumming around the joint ever since. He’s currently working towards completing his Bachelor of Arts at the University of Melbourne, with a double major in Cinema & Cultural Studies and Media & Communications. He’s also the treasurer of the Melbourne University Film Society, and a screen editor for Farrago, the Universities student run magazine. When he’s not watching movies, writing reviews or tweeting incessantly about very little, he can be found trawling the comments sections of Rotten Tomatoes taking the opinions of internet trolls more personally than is probably healthy.
All posts by Tom:
A charming comedy set in the cutthroat world of Norway’s least popular sport, Ole Endresen’s Curling King was a colossal audience hit at this year’s International Film Festival of Rotterdam. Co-writer Atle Antonsen (a popular Norwegian comedian) also stars as Truls Paulsen, a once champion curler whose manic obsession with the sport eventually saw him institutionalised with obsessive compulsive disorder. Released after a decade – heavily medicated – into the [...]
From the opening scene, in which lead character Swanson (Tim Heidecker) describes in detail the effects of an anal prolapse before insulting the sexuality of the male nurse whose job it is to take care of his barely breathing invalid father, Rick Alverson’s new film does everything it can to be as aggressively alienating as humanly possible. An ugly tale of a fat, over-privileged, middle-aged New York hipster stuck in [...]
If I eschew traditional film reviewing conventions here, it’s because the work I’m reviewing isn’t really a film at all. One of the features of the “Signals: For Real” section at this year’s International Film Festival of Rotterdam – a programme designed to challenge and subvert the ways viewers think about cinema – Soundtrackcity Rotterdam is in a lot of ways more like an audiobook than a movie – although [...]
This year, the 41st annual International Film Festival of Rotterdam screened over 450 short films in addition to its 268 features. With films in every conceivable style, the shorts programme offered audiences the chance to witness exciting and experimental works from directors ranging from seasoned veterans to filmmakers whose careers are still in their infancy.
While my time over the past two weeks has been primarily concerned with features, I still [...]
Any ghost story that claims to be “based on a true story” is already fighting an uphill battle, but when it’s as middling and generic as Pat Holden’s When the Lights Went Out, it’s even easier to dismiss. A stock standard haunted house story, the film follows an English family who experience paranormal disturbances upon settling in to a new home. Although not entirely lacking in creepy images or suspense, [...]
A gangster movie out of Iceland, Black’s Game [Svartur-Leik] was executive produced by Danish director Nicolas Winding Refn. As such, comparisons to his recent Drive — the best film of last year — are inevitable and perhaps not unwarranted. Both films are unashamed in their attempts to make every frame as cool as humanly possible. But while Drive employed ice-cold restraint and was a success, Black’s Game goes the [...]





















