He may wear hoodie, wield a can of spray paint and use any wall he pleases as a canvas, but British street art legend Banksy – an alias he uses to protect his top-secret identity — is well on his way to joining the ranks of Picasso, Duchamp and Warhol. Just try telling that to the police; as with all trailblazing artistic movements, street art has sparked hot debate as to its legitimacy, many considering it to be nothing more than mindless vandalism. But whatever your stance, Banksy’s stellar documentary (or elaborate mockumentary?) Exit Through the Gift Shop is not to be missed, shedding light on the age-old question of “what is art?” without ever ceasing to entertain.

Fellow gamers, breathe a deep sigh of relief. Hollywood have, at long last, made a video game adaptation that is not complete tripe. A game adaptation that both avid gamers and casual moviegoers can sink their teeth into. Most remarkably, a game adaptation that is almost, so nearly, as enjoyable as the game it is based on, that being the critically acclaimed action platformer Prince of Persia: The Sands of Time.

From Errol Flynn to Kevin Costner and Cary Elwes, we’ve seen the story of Robin Hood in Sherwood Forest portrayed numerous times; a cinema favourite because of its endearing display of human nature – robbing the rich to feed the poor. The wonderful world of Disney gave us a comical and less morally correct animated version, while the recent BBC series had bounds of wit and charm. With that said, Ridley Scott definitely had a lot to live up to in successfully bringing a more dramatic side to the outlaw on screen.

I have to say, I wasn’t expecting a great deal from When in Rome, a romantic comedy featuring Kristen Bell, who I found to be rather uninteresting in the more adult comedy Forgetting Sarah Marshall. Despite my reservations, When in Rome does have its merits – although it doesn’t re-invent the wheel by any stretch of the imagination.

With Tron Legacy on the way after 28 years, the original Tron has clearly left a lasting impression. Whether this impression is worth a tight sequel, with a strong story or a glossy, shallow cash-in, remains to be seen. However, an examination of the original 1982 film may indicate whether Tron Legacy will be worth the price of your ticket in the end. This is why I have decided to review Tron on DVD, as any upcoming sequel deserves at least a small investigation of its origins.

Marriage for many is a test that often ends up a bumpy ride. Rekindling the weakening spark usually requires significant effort, and many are lazy in their attempt; for fear of change – to routine, or as people. In Date Night it seems two of Hollywood’s funniest people aren’t exempt. If Steve Carell and Tina Fey are reliant on the titular concept to keep the sunshine and lollipops in their (fictional) relationship, then what hope have the rest of us got? The film suggests not much – their bumpy ride is extreme and brings only the slightest source of comfort.